![]() His music also contains echoes of jazz as can be heard in the double bass introduction to his First Symphony and his frequent use of syncopated rhythms. Rather, his works merge the traditions of earlier composers and post-World War II innovations and translate them into his own idiosyncratic style. ![]() As an independent composer, Dutilleux always refused to be associated with any school. While he always paid attention to the developments of contemporary music and incorporated some serialist techniques into his own compositions, he also denounced the more radical and intolerant aspects of the movement. His attitude towards Serialism was more problematic. Henri Dutilleux's music extends the legacies of earlier French composers like Debussy and Ravel but was also clearly influenced by Béla Bartók and Igor Stravinsky. His students include French composers Gérard Grisey and Francis Bayer, Canadian composer Jacques Hétu, British composers Kenneth Hesketh and Andrew McBirnie, and American composers Derek Bermel and David S. He was appointed to the staff of the Paris Conservatoire in 1970 and was composer in residence at Tanglewood in 1995. He served as Professor of Composition at the École Normale de Musique de Paris from 1961 to 1970. Henri Dutilleux worked as Head of Music Production for French Radio from 1945 to 1963. He worked for a year as a medical orderly in the army and then came back to Paris in 1940 where he worked as a pianist, arranger and music teacher and in 1942 conducted the choir of the Paris Opera. Henri Dutilleux won the Prix de Rome in 1938 for his cantata L'Anneau du Roi but did not complete the entire residency in Rome due to the outbreak of World War II. There from 1933 to 1938 he attended the classes of Jean and Noël Gallon (harmony and counterpoint), Henri-Paul Busser (composition) and Maurice Emmanuel (history of music) at the Paris Conservatoire. Although his output was relatively small, its high quality and originality won international praise.Īs a young man, Henri Dutilleux studied harmony, counterpoint and piano with Victor Gallois at the Douai Conservatory before leaving for Paris. 8 Trois strophes sur le nom de Paul Sacher, pour violoncelle seul: III.Henri Dutilleux was one of the most important French composers of the second half of the 20 th century, producing work in the tradition of Maurice Ravel, Claude Debussy, and Albert Roussel, but in a style distinctly his own. Henri Dutilleux created the first part of Trois strophes sur le nom de Sacher (Three Stanzas on the Name Sacher) after Rostropovich offered him a collective birthday present for director Paul Sacher, and later added two more pieces. Vivace 2:53 7 Interview : Laspect acoustique 3:28 7 Trois strophes sur le nom de Paul Sacher, pour violoncelle seul: II. Andante Sostenuto 3:03 6 Interview : Les accord-miroirs 3:02 6 Trois strophes sur le nom de Paul Sacher, pour violoncelle seul: I. The gift consisted of a set of variations based on Sacher's name, translated musically from Germanic notation, as Bach had done with his name in several works, such as the Cello Suite in C minor, BWV 1011. Bach's cello suites must be understood as a single discourse, which are developed with coherence. They are closely linked to Pau Casals, who rescued them from oblivion and turned them into emblematic pieces for cellists. ![]() Nocturne for violin and orchestra Sur le mme accord On just one chord (2002) Chamber/instrumental. Casals said that in all of Bach's cello suites, the prelude portrayed the general character of the work, and pointed out that "the beginning of the fifth suite, in C minor, is obscure, dramatic and threatening". Bernard Haitink, a Prophet in his Own Land. Trois Strophes sur le Nom de SACHER (197682) (per Paul Sacher) E. The programme also includes Zoltán Kodály’s Sonata for Solo Cello, Op. The great Dutch conductor who died recently at the venerable age of 92 proved the old adage wrong. 8, another key work in the cello repertoire, which is infused with elements of Hungarian musical folklore. Allegro maestoso ma appassionatoGautier CapuonFrom the album Souvenirs - Dutilleux: Trois strophes sur le nom de Sacher: No. Melodie by Jörg Widmann, one of the most versatile contemporary artists, will also be performed.
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